Romantic · German
Max Reger
1873 to 1916
German Post-Romantic
Repertoire in dialogue
A major figure of German post-Romanticism, Max Reger composed a substantial body of organ music of great harmonic and contrapuntal complexity. His fantasias and fugues, chorale fantasias and chorale preludes extend the legacy of Bach, his great model.
The repertoire
Works in the project’s repertoire
3 works, all available to listen to.
Repertoire in dialogue
Flagship work
Introduction, Passacaille et Fugue en mi mineur
Op. 127 · Passacaglia
Aesthetic close to the project’s orientations
Toccata en ré mineur et Fugue en ré majeur
Op. 59/5-6 · Toccata/Fugue
Aesthetic close to the project’s orientations
Exploratory repertoire
Fantaisie et Fugue sur B-A-C-H
Op. 46 · Fantasy/Fugue
Work in an aesthetic very distant from the project
This classification reflects the place of these repertoires within the artistic and educational orientations of the project. It does not constitute a technical indication regarding the design of the instrument.
Take part
This organ will be able to serve this music.